Wood Sculptures by Randall Rosenthal
All Work Hand Carved FromCollaborations One Block Of Wood And Hand Painted
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La ofrenda (1913)
Saturnino HerránÓleo sobre tela. 185 x 209 cm.
Museo Nacional de Arte INBA, México D.F.
Rebecca Campbell, Lisa. Oil on Canvas, 48 x 68.5”. 2006.
Rebecca Campbell, Lucky Charm. Oil on canvas, 18 x 18”. 2009.
Rebecca Campbell, Neda. Oil on Canvas, 48 x 33”. 2006.
Rebecca Campbell, Sleep Walker. Oil on canvas, 36 x 44.5. 2009.
Rebecca Campbell, Charlie in the Forest. Oil on canvas, 36 x 43”. 2009.
Rebecca Campbell, Red Riding Hood. Oil on canvas, 18 x 18”. 2009.
Rebecca Campbell, Marie Antoinette. Oil on canvas, 18 x 18”. 2009.
These paintings have a perfect blend of idealism and realism: everything is highly believable, but the lens flares, surreal scenarios, and re-purposed stories make the scenes even more fascinating.
My stamp arrived today! Along with a set of blank recycled cards. They are hand-cut with rounded corners using a traditional guillotine. Manufactured from 75% UK post consumer waste and 25% dung from the Sri Lankan elephant. The dung is collected, cleaned up and turned into pulp. The card itself it treated using non-chlorine methods to remove all bacteria, and is manufactured using the heritage steam-driven Fourdrinier machine, the worlds first mechanised paper-making machine dating back to 1895. Time to get stamping!
(Source: ollysorsby)
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The North Shore, Teagan White
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Follow Teagan White on Tumblr HERE!
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“Hal Araak fi Olaak?” From a new series of posters designed by Ramallah-based Palestinian graphic designer Amer Amin. The picture is an upside-down photograph of torn down olive trees and the Arabic reads, in Amin’s own translation, “Will I ever see my country in good shape again?” and comes from the de facto anthem of Palestine, a poem called “Mawteni,” written in 1934 by Ibrahim Touqan.
Reblogged from thepoliticalnotebook with 462 notes